Using Histograms to get the Exposure Right
Remember when you used film? You'd take the pictures and
deliver the film for processing and wait. And hope. And
do you remember that sinking feeling when you saw that many of
the images could have been so much better if the exposure was
different?
With film cameras you had the choice of using the built in
light meter, using an external light meter or various exposure
'rules' such as 'Sunny 16'. Whichever methods you used, there
was still the all too likely possibility that the exposure
could have been better.
Digital has changed all that. With the ability to preview
the image instantly, it's easy to tell if the image is exposed
ok. Yet, if your camera offers a histogram display, then it's
possible to go beyond just being 'OK' and get the absolute
best exposure.
What is a histogram?
A histogram is a graph that plots the distribution of tones
throughout the image. Here's an annotated example:
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A histogram shows the Dark tones on the left
of the graph (X axis), the light tones on the
right (X axis) of the graph and the
quantity of tones along the Y axis.
In a well exposed image the majority of the
tones will be in the middle of the X axis, as
is the case in this example.
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| An under-exposed
example |
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In this example, the image is too dark and
the histogram reflects it - the graph shows too
many values on the left hand side. Indeed, the
highest 'peak' of the histogram is in the
darkest tones - a sure sign of an under-exposed
image.
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| An Over-exposed example |
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| The above image has a peak on the right hand
side, corresponding to the sky, which is
'bleached'. |
| A corrected version: |
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| This version was corrected by using a Gray Grad
filter to darken the sky. The histogram actually
shows that we could have done better - it's now a
little under-exposed (the large peak on the left)
and we should have exposed it for a bit
longer. |
Based on these examples, here's a few simple
conclusions:
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If there are 'peaks' on the left side of the graph,
the image needs more light |
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If there are 'peaks' on the right hand side of the
graph, the image needs less light |
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If there are 'peaks' in the centre of the graph
and no 'peaks' on the left and right side then the
image is well exposed.
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However, that is not the whole story.
Sometimes, you get an image where there are peaks on both
sides of the graph. This means that the range of tones
is too great to be captured. To solve this there are a number
of options:
Option 1 works if it's the sky that is too bright and you
own a gray grad filter or two.
Option 2 is best done using HDR
techniques.
Option 3 is fine if you are taking, say, a picture of a
bird, animal, person or building and it doesn't matter if the
rest of the image is too dark/light.
For example, you may be taking a photograph of a white bird,
such as a gull. As it's the main subject of the image, you want
to expose it so the histogram shows the main light area towards
the right of the graph but not at the right edge. Why?
Well, the rightmost edge means over exposed. However, if we
exposed so that the bird's detail is in the middle of the
graph, the bird will be gray and we want a white bird to be,
well, white. So, as the great bird photographer, Arthur Morris,
put it - 'whites to the right!' when the main subject of
the image is white.
The histogram's we displayed above come from Andy's Browser - typically they are much
larges and clearer than an 'in camera' histogram. Some
in-camera histograms now distinguish between the main colors
- whilst others show a simpler graph displaying the
overall tones of the image. They are still pretty useful.
So, a good method to use when sizing up a scene is:
Take a test image at the camera's recommended exposure.
View the histogram.
If the graph shows the peaks at the left - add more
light
If the graph shows the peaks at the right - reduce the
light
If the peaks are only in the middle, then its a good
exposure, but you might improve it still by trying to get the
peaks a little to more to the right, as long as they don't
reach the extreme right.
If the graph shows peaks on both the left and right
extremes, then it's not possible to get the whole scene
correctly exposed without using filters or resorting to image
blending/HDR.
Be aware that the white balance setting of the camera does
affect the histogram - try to set the white balance as near to
the actual type of light as possible.
The histogram is one of your best friends.
Finding genuine
content about digital cameras is hard, especially today,
when everyone knows about SLR and pseudo digital cameras. This
is indeed the flat
panel tv age, with laptops strewn about
in the living room and printers like dozen
by the dime.
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